Wednesday, December 16, 2015

For Those Who Stay

Working at the shelter is a uniquely personal and interpersonal experience.  Each week, and each shift even, you have hundreds of interactions ranging from the small and minute to the grand and conflagrating, which you evaluate and reflect upon, dismissing some and acting upon others.  It’s all quite taxing psychologically, and you shouldn’t be surprised when memories and anecdotes crop up in the most random places in your daily life, giving you, hopefully, not too long of a pause, but making you think of life in new ways.

On one of my last evening shifts, a longtime resident, who, due to frequent intoxication, eschewed forgetfulness and disregard on many a shelter night, said, “Wow, you’ve been here a long time, haven’t you? It’s really been an honor.”  I thought about telling her this would be one of my last nights, but I held back.  We reminisced for a little and then she proceeded to list several of her friends who had passed away in recent years.  “CJ...Kathy...Nicole…”  She talked about how it had been hard without them, but that she would survive.  She went back even further, and began talking about her family’s cattle ranching business in Nebraska, and the ornery pony from her childhood, but then she said, “I’m a survivor.  My father told me always, I must survive, and that’s what I’ve been doing!”   

Some might say I put a long time in at the shelter--five years, 2010-2015.  Five years is a David Bowie song covered amazingly by Seu Jorge, as well as the average career time for a NFL running back.  A resident the other night put it in a different perspective when he said he had been locked up in Florida for ten years, and was struggling to readjust to de-institutionalized life.  I can’t even imagine being confined in one space for that long.  It’s said that when that happens, you begin to lose almost all sense of who you were before you entered that space, and your sense of fairness in the world--with corrupt guards, carefree judges, and incorrigible inmates--begins to deteriorate.  The man told us he wanted to avoid recidivism at all costs, but said that everywhere, even in Boulder, it was hard to find someone who truly wanted to help him rebuild.  While in prison, he discovered Buddhist meditation and found it to be one of the only effective ways to ease his isolation.  He thanked the shelter for being there, but did not seem to have much faith in what seemed to him like another institution.          

Life is suffering.  My mother, like a lot of parents, used to tell me “life isn’t fair,” and I never really understood the reality of that statement (because of my privilege) until I worked at the shelter and saw firsthand the poverty and struggle I had previously only known through reading about it.  I decided that I would work every day of my life to change that, and while I may not always hold to that resolution, I can say that I sleep well at night.  There are some who adhere to the quote from author Jan Mark: “There’s no such thing as fairness. It’s a word made up to keep children quiet. When you discover it’s a fraud then you’re starting to grow up,” but I refuse. Maybe I refuse to grow up--potentially a source of insight(s) for a future teacher--or maybe it’s my youthful rebelliousness, but that’s what got me into this work in the first place.

I thought about using this space to go on a rant about capitalism, but I’ll just leave it at this: As long as there’s a free market-driven economy with cheap and unsustainable values (low pay) attached to human resources (labor), and unsubsidized private property (high rent/mortgages), you will have homelessness.  It’s a system predicated on having winners and losers, always. The man who went to prison for ten years attempted to get free money from a bank without a weapon.  A man with a suit and tie and briefcase and command of the English language can do the same and live comfortably for the rest of his life.  He can even complain about those who “don’t work hard enough and are just asking for handouts.”  Well buddy, you can’t take those riches with you when you go, and I’m fairly sure where you’ll end up in the afterlife.  Woe to those who aid and abet him!
        
I often tell friends that this job is a conglomerate of other jobs: counselor, clerk, security guard, parent, meteorologist, nurse, supplier, teacher, flight attendant, cruise ship director, barista.  Well, maybe not all of those but you see the picture; the list goes on with what you’re willing to take on.  One encompassing role this job enables us to be is a leader, a decision-maker.  I’ve learned how to act in the face of emergency, in the face of conflict, where previously I would have balked at the scene, like an innocent bystander, or redirected the problem to someone else.  The important thing to remember is that you have to act, that people are looking at you for guidance or support in a situation, and the problem is worsened if you let them down.  Stay calm.  Lean on each other for support.  Acknowledge the pain.  Acknowledge the success.  That’s what really makes everything we do at the shelter possible.  Not the consequences.  Not the boundaries.  Not the self-care.  Not the politics.  But the humanizing of each other through love and support and empathy.  To truly serve another human being is sacred and should be revered.      

Most staff who have worked with me know I like to play reggae and ska music on the computer in the staff office.  I like reggae because it embodies pure positivity and a desire to be enlightened, and calls for an end to suffering.  I like to think on those early mornings watching that beautiful sunrise through the east windows and telling residents to “take care,” “stay warm,” and “have a good one,” that the spirit of positivity will reverberate throughout the building from the souls manning dorm supply and the breakfast line to the clients accessing our services to the community at large that interacts with them.  In those rare, precious, and peaceful moments of contentment, I remind myself how blessed a community Boulder is to have this building and a bounty of resources for those less fortunate, not least being the labor of people who truly care about helping their fellow person(s).

How do we pass on the feeling that we are blessed to those who have been left without housing, proper medical care, or given a raw deal in life?  I’ve found the shelter to offer a myriad of ways to examine one’s privilege and sociocultural background, and how everyone who walks through the front door’s positioning plays out on the shelter culture.  It is an endless discussion that vastly exceeds the scope of this writing, but know it is there to be examined. I leave it now for the future.   

I like to think a providing force exists, maybe it’s not a supernatural one and is instead just a natural one, and that humans helping other humans collectively to survive was the original intent of this natural force, before communities got corrupted by power, modern industry, and social stratification.  I tend to blame these forces for the problem of homelessness when I get frustrated, or when people ask me what can be done to solve it, and I guess it’s helped me throughout the years even as unfettered capitalism and income inequality continue to grow unchallenged.  Perhaps it will always be this way, but we always have a choice...

As I finished up my conversation with the long-time resident in the courtyard, and was walking to the door, she said, seemingly out of nowhere, “Well...watch over us.”  I hadn’t told her I was leaving.   

Thursday, June 18, 2015

Jurassic World Stirs Up Excitement and Moral Debates

I waited 22 years for this moment.

That's almost as long as I've been playing saxophone.

When I ask my students the year of their birth, and I discern they were born after the year 1993, two comments quickly come to mind.

First, you probably don't know that the World Trade Center was bombed once before.   Besides news archives and other historical sources, a record of this event was kept on Biggie Smalls' radio-friendly track “Juicy” up until recently, when those in charge decided to make the song more radio-friendly by censoring the line “Blow up like the World Trade.”  You can hear this bastardized version most days on any revivalist hip-hop/R&B station in a town near you.  It's probably owned by iHeartMedia another revision of history known formerly as Clear Channel.

Second, you probably have never seen the original Jurassic Park, a hallmark of American cinema.  I sometimes add Independence Day to this revelation.  I then go on to pronounce the merits of the film interspersing random quotes (“Dino DNA,” “Hello John,” "Hold on to your butts," “Clever girl...,” etc.) into my speech, which by this point has lost all viability of being a teaching moment.

Well, that moment is here.  The next generation will finally get its chance to experience the ultimate fantasy of children everywhere as Jurassic World serves up a collage of familiar images, themes, and motifs.  There is a zoom-out shot of a black bird.  Shots of the lab featuring DNA strands and dinosaur eggs.  Tones from John Williams' original movie score stoke our sci-fi sense of wonderment yet again as we embark in helicopters and jeeps to explore the Costa Rican jungle island. Once again, dinosaurs escape, and once again, we are woefully unprepared.

We should be clear: Jurassic World is not a remake.  There are nostalgia-grabbing references and shots of the old park, which still lies in ruins, but director Colin Trevorrow and executive producer Steven Spielberg made sure to distinguish his film(s) from the old franchise.  That's why there's a scene in which Claire (Bryce Dallas Howard) chastises a subordinate park overseer (Jake Johnson) for wearing a shirt with the red-and-black logo from the old movie.  He is quick to tell us its monetary worth on eBay—fitting for a character who seems to be hoisted straight from Comic-Con.

There are brief visits to the chaos theory and the unpredictability/inevitability of confining nature to man-made pens.  Lowery, the park overseer and a poor replacement for Samuel Jackson's character, even comments after all hell breaks loose on the island, “You should put that in the marketing for this place: 'Eventually one of these things will escape and eat a bunch of people.'”

Indeed, that is the basic plot for many an action movie, and several critics have remarked on the meta-level that the film resembles the park featured in it as a spectacular mega-attraction meant to be consumed.  There are also undertones of Sea World and Blackfish, but really, who doesn't love to see a giant alligator dinosaur (Mosasaurus) jumping out of the water to eat a shark?  At least these creatures are CGI.  I'm sure the seal from the famous Planet Earth Great White Chow-down enjoyed that scene from the grave.

The acting and dialogue, especially from Howard, is a little spotty, but the cast and crew get the job done.  Chris Pratt plays a strong, moral hero (Owen) separate and distinct from his prior roles, rarely devolving into the antics that made him popular in Guardians of the Galaxy and Parks and Recreation while still serving up a lovable, stern character.

His ethics, about not raising animals in social isolation and the ramifications of GMO dinosaurs, as well as weaponizing them, play a central role in the story and provide fodder for intellectual debates for years to come.  He sees the limits of his behaviorist training of velociraptors, but also recognizes the power of social construction as the raptors come to learn he is the alpha.  This is developmental theory in the context of extinct reptiles.

Owen's humanist sentiment applied anthropomorphically to dinosaurs clashes with Claire and John Hammond's successor Simon Masrani (Irrfan Khan), in addition to the paramilitary antagonist Hoskins (Vincent D'onofrio), who all believe dinosaurs to be money-making/military assets, and call them just that. This little bit of anti-capitalist soul-searching was refreshing, and I was wondering whether the movie would lean the other way.  We can also be happy the movie is not racist.

These thematic battles combined with wild yet tactful action scenes adds up to a great representation of the franchise.  The film gives you a lot to talk about.  In the end, man has no control over its world. Nature does.

All you Hitchcockians should watch out for Pterosaurs.